Week one; introduction to draping
Wikipedia Madeleine Vionnet era 1920 |
The design development begins with a concept, producing
sketches of designs, cutting patterns, making toiles or muslins, adjusting the
pattern and design to fit on the body.
This class is about designing directly on the dress form,
having made no prior sketches, no premeditated ideas as to what the final
outcome will be.
You are used to sectioning the body into parts –
bodice – center front and back
Side
seams and darts
Skirt - center
front and back
Side seams and darts
You have the blocks!
Zac Posen draping pinterest |
Draping is also used by designers
to figure out a pattern or print placement. That check, stripe or over sized print, when placed on a dress stand at different angles, manipulated and reduced in size will look totally different to the original piece of fabric.
So let’s take a look
at a dress form.
There are both full and half scale stands available. ½ scale
stands don’t have collapsible shoulders while most full scale stands do. Both
can be raised and lowered.
When working on a full size stand lower it of raise it up so
that your shoulder matches to the stand.
Tape can be used to mark the bust, waist and hip lines on
the stand. Tape is used to mark style lines.
Tape or yarn is pinned or stuck to the dress form to mark
the bust, waist and hip lines. It is also used to mark the style line.
So how let’s have some fun and start to drape.
Creating drape from a straight piece of
fabric, project 1
Begin with a piece of fabric, if working full scale 36
inches by 18 inches and half scale 20 inches by 10 inches, or just a square of fabric. The size of the
fabric will change as you as you start to experiment with more designs start to
develop. Mark 2 notch points approximately
6 inches down from the raw edges on both ends of the fabric. The notch point is
going to determine the length of the drape up to the waist
Machine stitch up to the notch points, securing both ends
of the stitching with a back tack. Press
the seam open and flat. The size and length of this drape is going to change
with the size of the fabric you cut and your choice of fabric, muslin, crepe,
knit jersey, stiff, e.g.
Now
take your prepared fabric to the dress form and decide where you want the drape
to fall. This can be down the princess line, center front line or between
these two lines on the dress form. Pin in place at the notch point where the
stitching finishes on the waistline.
Now decide where you want the end of the drape to be. This
can be straight down from your first pin or angled. Pin the point of the drape
to the dress stand.
From the pin on the waistline, smooth the fabric out with your hand towards the side seam and pin to hold.Repeat on the other side. Play with the drape moving it
around the body until you like the design.
Don’t cut anything at
this point.
If you like what you have smooth the fabric around the waistline – pin and fabric onto the waistline approximately 1 inch (2.5cm) along from the first pin; clip the fabric above the waist line down onto the pin, smooth the fabric across the waistline and pin; clip down to the pin and smooth the fabric again …. Pin and mark down the side seam, center front and waist line.
But keep working this drape on the form
The drape has now become a sleeve. The machine stitched seam has become the shoulder seam. The fabric has been
pinned to the center back and front. It has been pinned to the side seam and
down the under arm to form the sleeve and bodice. This has not been cut so I can keep experimenting with this drape.
Take photos or sketch these experimental drapes as a reference, they could be something you want to revisit.
Take photos or sketch these experimental drapes as a reference, they could be something you want to revisit.
Back to the skirt again
-
Evening ensemble House of Dior (French, founded 1947) Designer: John Galliano (British, born Gibraltar, 1960) Couture Line: House of Dior (French, founded 1947) Date: spring/summer 1998 |
A crepe fabric would work perfectly for this skirt.
As you pull the fabric up smooth it around the waistline and pin in place and cut down to the pin. Repeat until you come to the center back seam. The back will form a water fall effect. This is the same drape as in the first image just continued around the body
photos from John Galliano Autumn/Winter 2017 Ready-To-Wear British Vogue . vogue.co/uk |
Charles James, evening dress, 1946. from the Brooklyn Museum Costume collection
https://www.metmuseum.org/art/collection/search/80097100 |
Charles James draped a high waisted skirt
with a built in hip yoke from the straight line drape. The yoke has dropped down onto the waist line as it extends around the body to the center back. Look at the pattern on the fabric, it is showing you all the different directions of the fabric grain . The fabric James used is a woven metallic silk.
Start the drape by marking up the dress form with the style lines. (the red lines) Note that the position of the style line from the center front over towards the side is nearly on a 45% angle, so the fabric that drops down once you cut is going to be on the bias.
Decide the length of your skirt and the
fullness of the draping. This is once again going to vary with your choice of
fabric. Charles James used a soft silk fabric for this dress, and of drape.
Mark in a 1 inch (2.5cm) extension line down one side of your
fabric that follows the straight of grain of the fabric. Mark as center
front, and pin down the center front of your dress form with the first pin
being placed about one inch down from the top of the fabric right on the
waistline
Smooth the fabric across to the style line
and pin. Cut or slash down onto the pin on the style line, adjust the fabric
and pin to hold in place approximately 1 inch (2.5cm) down from the first
pin. The flare that is falling down from the pin can be made more or
less by pulling the fabric back up making the slash smaller or by
opening the slash more which will let the fabric drop, creating a larger flare.
Continue to work down to the end of the style line.
Fold the fabric back on itself up to the
first pin. The length of fabric from the last pin at the end of the style line
fold will affect the drape so experiment by lengthening and shortening until
you like the drape that has formed.
Smoothing with your hand pin from the
fabric fold back along the style line to the top point above the waist
Cut and clip along the marked waistline to
the side seam, smoothing the fabric across the hip to the waistline to
form a yoke. Repeat around the stand.
Think of turning this drape into a dress
https://www.anothermag.com/fashion-beauty/12121/ this-new-exhibition-explores-alexander-mcqueens -love-of-flowers-roses-2019-2020 |
I pleated or tucked the fabric onto the waist line of the dress form to get the fabric fallness needed for the rose.
An amazing effect in fabric. I love the pants. But added to a jacket / cardigan it would be stunning. Very chic.
ReplyDeleteFascinating, many thanks x
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